University of Roehampton
Sunday 3rd May 2015
Thrown into a shadowy realm of sunburnt silhouettes and sunsets, Jazz Andrew’s Let Her Go seems to sum up the pain and tenderness of young love. While Passenger’s folk-pop Underwater Bride reflects on keeping everything ‘locked into memory’, Andrew’s intricate gestural detail and ebbing momentum also appears like a tape of childhood memories.
Typically of Andrews, her carefully constructed formations reflect the elegant orchestration of her dancers’ bodies, as they roll, fall and twist. Their arms unfurl, thrashing and clutching at the air. All eight dancers move with precision and clear, calm intention- a manifestation of Andrews’ confidence in the themes and emotion behind her work.
Although Let Her Go uses a great deal of unison, moments of solo, canon and stillness create different stories for each dancer. Dancing alone in one corner of the stage, as others watch on, each individual seems nostalgic of a time before, as if longing for someone or something. Simultaneous acceptance and anguish also seems to be a theme that threads through Let Her Go.